So, I made some shoe bags.
I want to protect my nice shoes from dust and cat hair when I’m not wearing them. I also want to protect clean clothes from dirty shoe soles when packing my shoes in a suitcase.
Shouldn’t nice shoes come with shoe bags from the manufacturer?
Some companies include them, some don’t. Plus, sometimes I buy used shoes, and used shoes don’t always come with bags.
Aren’t used shoes gross?
When they are taken care of properly and in good condition, I don’t think so. I would rather have a really nice pair of used shoes than a crummy pair of new shoes for the same money. Full-grain leather shoes with the type of construction that allows for soles to be replaced can be expensive, and shoes don’t grow on trees. Really nice shoes can be found at a fraction of the full retail price at thrift stores and eBay. Do some research, figure out your size, and be ready when a good deal comes along.
If they don’t grow on trees, where do shoes come from?
Many shoes “grow” on cows, and the animal lover in me isn’t quite sure what to think about this. I know, humans have been wearing animal skin for eons, and at certain points in human history, our lives probably depended on using animal skin for protection.
But, we live in a modern world with alternatives and synthetic leather, wouldn’t those be better than using real leather?
Synthetic materials seem (I don’t know for certain) as if they would be bad for the environment to produce (I do recognize that large scale livestock production probably isn’t so good for the environment either). But, synthetic materials don’t break in or wear like nice leather. Leather may crease, but synthetics crack, and peel, and look awful…meh….first world problems…but at least we wouldn’t be killing animals for their skin. Like I said, I’m not sure what to think about this. I guess if we are killing the cows for food, we might as well use the hides for shoes…?
Isn’t this a blog about sewing menswear, why so much shoe talk?
Because I like shoes. And if I’m spending all this time making clothes for myself, my shoe game had better be decent. Part of dressing like a grown up is wearing grown up shoes.
Why don’t you make shoes too?
Because my wife won’t let me. The machines are too big and expensive. The learning curve would be huge, and I don’t have time.
If you buy decent quality shoes to begin with and take good care of them, they will last a long time. You will probably save money in the long run. Put them in shoe bags and use shoe trees when you aren’t wearing them. Also, give your shoes a proper cleaning/conditioning when they need it. Nobody likes stinky feet or stinky shoes.
What we’ve got here…is a giant indigo vat. Isn’t it beautiful? I’d love to tell you that I’ve started dyeing my own denim, and that the above indigo vat is mine, but I have to confess that it isn’t. This pot of bubbly indigo goodness belongs to Drew from DIY Vat.
Earlier this year Drew got in touch about doing a collaboration project. He offered to send me some natural colored selvedge denim that he would overdye in his indigo vat, and I would get to make something for myself with the overdyed denim. Pretty awesome deal right? How many opportunities do you have to get to work with custom hand dyed fabric?
I’ve developed a love for indigo dyed garments and fabrics since I started working with denim, which goes back to the beginning of the blog. Although I’ve never worked with indigo dye, I’m fascinated with the fabric dyeing process in general. So obviously I said yes to Drew’s generous offer and I am really excited about the collaboration. He is still dyeing the denim, but offered to do a little interview explaining the process, indigo, and dye vats.
Taylor: Could you tell us a little about yourself and your blog?
Drew: I’m a father of two and I live with my wife in Topanga Canyon, CA. I teach at a local university and I work as an interpreter in the Los Angeles area. DIY Vat is not focused on one thing exclusively. A little bit style blog, little bit daddy blog, little bit maker blog. I also occasionally get on my soapbox about the virtues of knowing who makes your clothes and how those workers are treated — but I try not to be too self righteous about it.
Taylor: What inspired you to start dyeing with indigo?
Drew: I had read quite a lot about the process around the time my obsession with jeans began. When my wife and I were getting married we did a lot of things ourselves including the invitations. We started a little vat in our back yard and dyed a bunch of watercolor paper — watching the oxidization process fascinated us. I started playing around with the paper, trying a bunch of different techniques and marveling at the results. We’ve had a vat going since then.
Taylor: What exactly is a dye vat?
Drew: In essence, it’s a vat of deoxygenated water with the PH altered a little. Under these conditions, the pigment undergoes some molecular changes that makes it cling to organic material. There is also quite a lot of history, folklore, and cultural significance behind indigo dyeing. I make absolutely no claim to be an expert on the topic — much of what I know I’ve learned from the book Indigo: From Egyptian Mummies to Blue Jeans by Jenny Balfour-Paul.
Taylor: Are there different types of indigo?
Drew: Yes! You can find the pigment in a handful of plants that grow all around the world — the shade of blue you can achieve from this natural indigo depends on the species. Most things we see that are indigo dyed are made with synthetic indigo. Synthesized in a lab, it is chemically purer than what you can get strictly from harvesting from nature. It’s like the Walter White extra pure blue meth, but for making jeans. Natural indigo, as you might expect, has the higher status of the two.
Taylor: Could you briefly describe the dyeing process?
Drew: If you’re using natural dye, the process can take months. Growing and harvesting the plants and composting their leaves is one thing, but the vat has to ferment for a while before the indigo will take to anything. I’ve only ever used synthetic indigo so the natural process eludes me, but I imagine there are some parallels with home brewing. Synthetic indigo comes in a crystalized form which dissolves more readily. All you need is a large enough container full of warm water and a kit you can get at many art supply stores. Janome makes a box kit that can have you up and running in just a few hours.
Once it’s ready, the basic technique is to get your fabric wet, wring out any excess water, and put it in the vat. The next steps require a little more finesse — after you remove the fabric, you have to hang it open and make sure there are no folds or creases. Anywhere that doesn’t touch air won’t oxidize well and, thus, wont turn as blue as it can.
Taylor: What are your future goals and plans for your blog and dyeing projects?
Drew: My goals for the blog are not grand. I committed to a three day a week posting schedule a few months ago and have done well. The challenge now is to make sure the quality doesn’t drop. I also want to network with other bloggers with similar interests. I’d like to collaborate with others on projects like the one you and I are working on. I’m also kicking around the idea of a clothing swap project.
As for dyeing, we’re going strong with indigo. For my wife’s birthday we’re inviting some friends and their children over for a dye party. I am, however, itching to experiment with other natural dyes — weld specifically, so I can make Lincoln Green (interesting read here).
All images provided by Drew.
I’ve never seen any other fabric elicit the type of passion and dedication from people that denim does. There are entire websites, online forums, and numerous books all dedicated to denim. New boutique denim brands seem to appear out of nowhere on a monthly basis.
Even though I haven’t made anything with denim in a while, it is still by far my favorite fabric to work with, and is really what got me interested in learning how to make my own clothes. My interest in making shirts, chinos, backpacks, etc. all started with a pair of jeans.
So I was thrilled when Matt Wilson, from the online lifestyle magazine Denim Hunters, contacted me and wanted to do an interview about my sewing projects and work with denim. The magazine focuses on denim and jeans, but also has articles about other well crafted products, and denim related events and stores. Matt did a wonderful job with the piece. You can read the interview here.
There is no denying that my posts are few and far between. I do have a good excuse though. When I’m not sitting at my sewing machine or at work, you can usually find me in the kitchen. My wife and I love to cook. So much so that we decided to write a cookbook together. We did all of the recipe development, testing, and photography ourselves, and I’m extremely proud of the finished product, even if it meant I had little time to sew during the last twelve months.
So…here it is. Breakfast for Dinner! Doesn’t that phrase just bring a smile to your face? I mean, who doesn’t like breakfast for dinner?
We are giving away five signed copies at my wife’s amazing food blog Love and Olive Oil. She did a pretty cool behind the scenes post about it too, complete with messy kitchen shots, me doing dishes with silly faces, and all kinds of cat shenanigans.
The book is available for pre-order at Amazon currently, and will be hitting the shelves of book stores on February 12th. Also, if you happen to be in Tennessee or the San Francisco bay area, we will be doing a few book signing events soon. Come out and see us. We would love to meet you!
From time to time I get e-mails from readers who are interested in learning how to make their own clothing. Those who get in touch are usually looking for a starting place or advice on which sewing machine they should buy. Since TaylorTailor is three years old this month, I thought I would try to share my thoughts on the topic. This is mainly intended for those who have never sewn anything before and is in no way comprehensive. You might be disappointed if you are looking for technical advice or a step-by-step guide; buy this model of sewing machine, buy this special book, turn to page 9, and BOOM, you will have a pair of jeans. Instead, what follows are basically the steps I went through to get started. Hopefully it is helpful to others who might be thinking about learning how to sew.
I am in no way an expert, or have any formal training with pattern making or sewing. While I do have an amazingly helpful mentor/teacher here in Nashville, I’ve learned quite a bit on my own as well as from other blogs and websites. I may not do things the way a professional pattern maker or commercial sewing factory would do them, but I do what works for me with the knowledge and equipment I have on hand.
My first bit of advice is that you CAN do this. Don’t let lack of knowledge stop you from trying something new. I had no idea what a bobbin is or what seam allowances are when I started. With that said, making a piece of clothing that looks like it came from a store, that you are proud to wear in public, is hard work. Don’t expect to complete a shirt in a Saturday afternoon or quickly throw together a pair of jeans. This stuff takes time, lots of it, especially if you’ve never sewn before. I don’t mean that last part as discouragement. If your expectations are aligned properly going in, you won’t be disappointed when you’ve spent several weeks on the same project and it still isn’t finished. Take your time, learn as you go, and enjoy the process however long it may be.
1. First, decide what types of garments/accessories you want to make, and try to gauge how committed you are going to be to learning something new. This will have an effect on how much you budget for your first sewing machine and which type of machine you decide to buy.
2. Get a sewing machine. Choosing the right machine really comes down to budget, personal preferences, and in some cases, the types of things you want to make. Here are the machines I use. I can’t make a specific recommendation for a machine that will work for every beginner, especially if I’ve never used it myself. Sewing machines generally fall into two categories, those made for “domestic” or “household” use, and industrial sewing machines.
- Pros of household/domestic sewing machines: portable, take up little space, most can do a variety of stitch types, they are versatile.
- Cons of household/domestic sewing machines: lack power and speed, not ideal for really heavy materials, they can be less durable, although I’m sure a good household machine that is properly cared for can last quite a few years.
- Pros of industrial sewing machines: powerful, retain power even at low speeds, ability to sew very fast, heavy duty (note: this doesn’t mean that they can all sew heavy duty materials. Depending on the machine, they can be set up for light or heavy work), made to do one task (such as a straight lockstitch) and do it really well.
- Cons of industrial sewing machines: uni-taskers – generally they can only do one type of stitch, need different machines to do different types of stitches (straight, zig zag, bar tack, etc.) not portable, weigh a lot, need dedicated place to put them.
I’ve never had any problems with my industrial machine. The thing just works, and it works every time I turn it on. No fuss, no babying it, no mechanical issues. All other things being equal, if you have the space and the budget (a simple industrial can be cheaper than a complicated domestic) I would recommend an industrial sewing machine. Again, this is a personal preference, and after researching machines you might come to a different conclusion.
3. Learn how to use your machine. If you don’t have a friend or relative to show you the basics, I would suggest checking out a local fabric/sewing supply store. If they don’t offer classes for beginners, they are likely to know someone who offers private lessons who can get you started. Once you know a few basic things like how to adjust the thread tension, how to wind a bobbin, how to back tack, and how to change a needle, you are ready to start with your first project.
4. Keep it simple for your first couple of projects. I wanted to start with a three piece suit when I first got interested in sewing. My wife talked me down and convinced me to start with an apron. I’m glad she did. I’ve been sewing for three years and I’m still not ready to tackle something like a mens suit. There are lots of commercial patterns available for beginners. With these simple projects you will develop your sewing skills, continue to learn the quirks of your machine, and get a feel for what you like and don’t like to sew.
5. After “suffering” though a few aprons or pairs of pajamas, choose a project that is a little more complicated, something that might eventually turn into a piece of clothing you wear in public. For me, this was a pair of jeans. You might find a commercial pattern for this project, or you might want to make your own pattern. Besides having a genuine interest in learning how to design and make my own patterns, I also decided to do so out of necessity. The commercial pattern business really seems to focus a lot more on women’s clothing, which makes sense given that most of their customers are women. But, for a guy who is interested in making his own clothes this left me with few options for patterns, and I’m extremely picky in terms of fit and style. The book I use to make patterns can be found here.
6. Once you’ve decided on a project and have a pattern in hand, make a test garment, or two, or three. For every new pattern I draft, I make at least two or three test garments out of cheap practice muslin before cutting into nice fabric. With each test garment, I make adjustments to the pattern and modify the fit as needed. There is no sense in ruining a nice piece of fabric with a pattern that doesn’t fit the way you want it to.
As far as learning construction techniques goes, there are TONS of sewing books on the market. Here are the two that I use the most often for shirts and pants: David Coffin- Shirtmaking, David Coffin- Making Trousers for Men and Women. Another great way to learn construction techniques and some pattern making is to inspect store bought clothing. You can learn a lot by turning clothes inside out and inspecting seams, pockets, etc. Then there is good old fashion experience. The more you sew, the more you learn, the more the construction part will become intuitive.
Here are the tools I use the most often:
- Iron/Ironing board- If you are just starting out, the iron/ironing board you currently have is probably fine. At some point though, you will want to invest in a decent quality iron and a nice ironing board. For many projects, you will spend more time pressing than at your sewing machine.
- Chalk wheels(s)- For marking positions on fabric.
- Seam ripper- This will be your best friend when you make a mistake.
- Point turner- Not always essential, but can be helpful turning various kinds of points.
- Rulers/curves- For pattern drafting and measuring during construction.
- Tracing paper- For pattern drafting and modification.
- Pattern weights- I like to use large round washers.
- Rotary cutter and cutting mat- When used with pattern weights, the best way to cut fabric in my opinion.
- Shears/scissors- for trimming seam allowances and other cuts, have a pair for fabric only, no paper, cardboard, or other materials which dull the blades quicker.
- Flexible tape measure- Great for making fit adjustments.
- Pins- To temporarily hold fabric pieces together before sewing. Pins tend to distort fabric, so use them sparingly and only when absolutely necessary.
With the beginning of a new year approaching, this might be the perfect time to start a new hobby and learn how to make your own clothing. As always, feel free to get in touch if I can help in any way.
All of the clothing I have made so far, as well as the canvas backpack I recently finished, is made out of 100% cotton fabric. Other than wool and linen, cotton is pretty much the standard for all non-athletic menswear, and yet I found myself wondering, how many people (including myself) give any thought to where cotton actually comes from.
The raw materials that go into those neatly stacked bolts of fabric in a fabric store, or the perfectly folded shirts in a retail clothing shop have undergone so much change and processing that they barely resemble their original form. We can’t exactly wear raw cotton fibers, so this processing is necessary, but how many times have you thought of that spread collar, oxford cloth, button-down shirt as a something that started out as a plant?
I decided that I want to know more about where the shirt on my back comes from, or at least learn a little about the plant from which my clothing is derived. So, this past summer I did a little gardening experiment and grew some cotton on my porch.
It’s hard to believe that so much of our clothing starts out as these little seeds.
Little baby cotton plants.
When the cotton plant blooms, it has these gorgeous, delicate, yellow flowers that only stick around for a day or two. They quickly turn a light purple color and fall off. From here the cotton bolls start to form.
After a week or two, the bolls begin to open up and you can see the cotton fibers inside.
Once the cotton bolls fully opened and dried out, I removed them from the plant.
There is an old cotton mill about 100 yards from where I live, but unfortunately it is no longer in use. I would love to go see the next step in the fabric production process, where cotton bolls like these ones are turned into something that resembles the fabric we have come to love and depend on.
After two and a half years of using a free WordPress theme, I’ve finally got myself a brand new custom design for the blog! My first theme wasn’t necessarily bad considering it was free, but my wife and I actually own and run a web and graphic design business. I was long overdue for a, um… “tailored” design. We’ve been so busy the last couple of years (a good thing of course) that we rarely have time to work on personal projects.
While I was off adjusting my shirt pattern this past weekend, my wife surprised me by designing a new theme for Taylor Tailor. Isn’t she awesome? The logo is based off of the vintage Taylor Tailor sign I picked up off of eBay a while back. I now have a wider area for my images, and overall a nice clean, simple look. I couldn’t be happier with it.
In addition to learning how to make my own clothes, I’ve also started learning how to make my own beer! With the new design I’ll be adding a section about my brewing adventures, so don’t be surprised if you see a beer post here and there thrown in amongst the denim, shirts, and other sewing projects.
Now that my content area is wider, I have to re-edit the images I had planned for the backpack I made with the canvas I posted about a few weeks ago. As soon as I re-size the images I’ll get the backpack posted.
I bought a couple of yards of canvas on sale knowing that I wanted to make a canvas backpack at some point. When it actually came time to make the backpack (post coming soon), I realized that the natural canvas color would quickly get really dirty. I’ll just dye it I thought, it’s easy right?
The process is actually pretty easy. The hard part is getting the right color. This was my first time dying anything, and while it was fun, I’ll probably look a little harder for the exact color of fabric I want next time, rather than trying to dye fabric to a certain color. I used a simple, inexpensive dye that you can find at most hobby/craft stores.
*Please note, this post is not meant as an endorsement for Rit dye. It just happened to be the easiest product to find in my area.*
I started with a grey powder dye. If the first dying session had resulted in the color shown on the box, I would have been pretty happy with the outcome.
Unfortunately, the result was a very cool light grey, borderline lavender color. Not exactly what I had in mind for a backpack. I followed the instructions, used two packages of dye, washed the fabric before I started, etc. Maybe my water wasn’t hot enough? Maybe my sink was too small? I’m not sure what went wrong, but I’ll blame my lack of experience rather than the dye.
So…I switched to liquid dye, picked out a “nice” taupe color and repeated the process.
My lavender canvas turned into the color shown below, which is actually fairly close to the color on the bottle, and not a bad choice for a backpack. If I do decide to embark on a dying adventure again, I think I’ll try to seek out a non-conventional, more organic approach and use something like coffee or tea to give plain cotton some color. This will do for now.
I hope to have the backpack I made with this canvas up soon.
So if your name happens to be Taylor, and you happen to have an interest in learning how to design and “tailor” your own clothes, and you happen to have a blog called TaylorTailor, AND you happen to like vintage signs…
A couple of weeks ago an awesome reader sent me an e-mail about an auction for this sign. As you might expect, I just had to have it. Too perfect to pass up. The sign is from the early 1900′s, and while I can’t find much information about its origin, I believe it was from a company called J.L. Taylor & Co., which was a custom-made clothier in New York and Chicago. If anyone knows more about this company, I would love to know.
I’m going to proudly hang this up in my sewing studio this week…and then get back to work on my jacket pattern!
I never thought twice about where my clothing came from until I started learning how to make my own clothes. Now I can’t help thinking about how many people are involved, factory conditions (good or bad), and fair wages every time I pick up a piece of clothing. While I am buying less clothing from stores these days, I still think about where the fabric comes from that I use in my projects. I wish there was an easy way to know whether or not a particular company or fabric mill treated their workers and the environment with respect. It would also be nice to know about any hazardous chemicals used in the finishing process on certain fabrics. After reading about the formaldehyde used in non-wrinkle fabrics, I wish there was more transparency in how textiles are made. I would love to know if anyone has suggestions for places to buy fabrics made by reputable companies that have environmentally friendly manufacturing policies.
By this point I expected to have my jacket pattern completed and thought I would have at least a muslin version ready to start testing the fit. Right after I posted about starting a jacket, I quickly decided I needed another pair of pants more than I needed a jacket. I made some adjustments to my pattern and just completed another pair of chinos, this time in an olive/gray color. In the next week or so I hope to get some pictures posted. Here is the fabric:
I took a couple of cross country trips in June and found myself in need of a simple laptop sleeve that would protect my computer while riding around in my carry-on bag. Since I had a ton of denim scraps lying around I threw together this selvedge denim laptop sleeve. There are several companies that make and sell denim laptop sleeves, but most of them open on the side and do not offer a way to completely close the sleeve.
Instead, I opted for an “envelope” style sleeve that allows me to tuck in the flap, which closes the sleeve and offers a little more protection. The inside is lined with a double layer of black corduroy fabric that was also laying around in my stash. While it didn’t turn out exactly as planned, it is perfectly functional and served its purpose as I was on and off planes, taking face plants on the tarmac (I have scars to prove it!), and running across airport terminals.
I am giving denim related projects a little break and moving on to something new. During the next couple weeks, I will start work on a men’s jacket/blazer, which might just be my most ambitious project yet. I’d like to make a somewhat lightweight, unlined or partially lined casual jacket for fall. As of right now I’ve decided to stick with cotton for this first jacket and will most likely use a twill, duck canvas, or maybe even corduroy. My initial plan is for a single breasted, two button jacket with patch pockets.
The pattern will definitely take a while to complete, which is why I’m starting now if I want to have it ready by the fall. I’ve had some trouble finding decent resources for men’s tailoring methods. I have my pattern making book to help out with the pattern and a tailoring book pictured below, which should help some with jacket construction, but wish I could find more resources. The tailoring book is actually for women’s jackets, and while I’m sure a lot of the construction is the same, I wish I could find something more specific to fitting men’s jackets. Eventually I hope to turn this pattern into a more formal sport coat and even a jacket for a suit.
I love starting new projects.
Raw denim, rolled out and inspected.
Tossed in the tub for a soak. I feel bad holding it under the water against its will.
Hung out to dry in the sun.
Rolled back up, ready to cut.
In case you missed it, here is a little interview I did with Peter from Male Pattern Boldness about denim and making jeans.